The monumental should have no practical use. Practical use stands in the way of appreciation of pure form.
Friedrich Tamms
The Incredible Hulks: Jonathan Meades’ A-Z of Brutalism
http://www.theguardian.com/artanddesign/2014/feb/13/jonathan-meades-brutalism-a-z
https://archinect.com/news/article/93503614/the-incredible-hulks-jonathan-meades-a-z-of-brutalism
The Monumental and the Practical: Unpacking Friedrich Tamms’ Quote
In the realm of architectural philosophy, Friedrich Tamms, a prominent figure in the world of Brutalism, once remarked, “The monumental should have no practical use.” This powerful statement encapsulates a fascinating perspective on the relationship between aesthetics, functionality, and human experience. To truly comprehend the essence of this quote, it is important to delve into the context surrounding it, explore the life of Friedrich Tamms, and understand its appearance in The Incredible Hulks: Jonathan Meades’ A-Z of Brutalism.
Friedrich Tamms: An Architectural Visionary
Friedrich Tamms, born in Germany in 1915, was a visionary architect who played a significant role in the development and propagation of Brutalism. This architectural movement emerged in the mid-20th century, emphasizing the use of raw materials, exposed concrete surfaces, and a robust, utilitarian aesthetic. Tamms’ work, influenced by his experiences during World War II, focused on creating monumental structures that expressed a sense of strength and permanence.
The Meaning Behind the Quote
“The monumental should have no practical use” may initially seem contradictory. After all, architecture is traditionally associated with functionality and serving practical needs. However, Tamms’ quote challenges this conventional wisdom and invites us to consider a different perspective. The essence of his statement lies in the belief that architecture should go beyond mere functionality and embrace the transformative power of monumental design.
By divorcing the monumental from practicality, Tamms argues for the liberation of architectural expression. Monuments, by their very nature, evoke awe and wonder. They transcend the ordinary and transport us to a realm of emotional and spiritual significance. Tamms suggests that practicality can sometimes limit the potential of architecture to inspire and provoke profound emotional responses. By divorcing the monumental from practicality, architecture can serve as a medium for human expression and the elevation of the human spirit.
The TV Show: The Incredible Hulk: Jonathan Meades’ A-Z of Brutalism
Jonathan Meades, an acclaimed writer and broadcaster, dedicated his TV show, The Incredible Hulks, to the exploration of Brutalist architecture. The show takes viewers on a journey through various Brutalist structures, unraveling their history, significance, and impact on society. Friedrich Tamms’ quote, “The monumental should have no practical use,” is featured in one of the episodes, providing a thought-provoking perspective on the nature of Brutalism.
Meades’ A-Z of Brutalism offers a comprehensive and insightful examination of this architectural movement. By intertwining historical context, personal anecdotes, and expert analysis, Meades brings to life the often-controversial world of Brutalism. Through his exploration of Tamms’ quote, Meades encourages viewers to question preconceived notions about the purpose and potential of architecture, urging us to contemplate the role of monumental design in shaping our environment and our collective human experience.
Think about it
Friedrich Tamms’ quote, “The monumental should have no practical use,” serves as a catalyst for contemplation and discussion. It challenges us to reconsider the purpose of architecture beyond mere utility and embrace its capacity to inspire and evoke emotion. Through his architectural vision and participation in Jonathan Meades’ TV show, Tamms contributes to the ongoing dialogue surrounding the nature of Brutalism and its impact on our built environment. As we reflect upon Tamms’ words, we gain a deeper appreciation for the profound interplay between aesthetics, functionality, and the human experience in the world of architecture.
